Sister Act – Dominion Theatre, London

For those seeking an fun, family-friendly spectacle on the West End stage, “Sister Act” answers your prayers. Having been familiar with the film but experiencing the musical for the first time, I found myself pleasantly surprised by the new production. The set design, blending physical structures with a dynamic video wall, elevates the experience to new heights, particularly in moments reminiscent of paparazzi camera flashes.

Beverley Knight embodies Deloris Van Cartier with unmatched personality and charisma. Her commanding stage presence, coupled with show-stopping musical numbers, including a memorable scene where she soars above the stage in a giant disco ball, is nothing short of captivating.

True to its tagline, “a divine musical comedy,” the show delivers plenty of laughs. From whimsical incidents like a nun being whisked away by bell ropes to unexpected appearances of the sisters, the comedic timing is impeccable. Ruth Jones, portraying Mother Superior adds an additional Welsh charm, drawing laughter with her Welsh accent back story, flag-adorned socks, and an endearing offer of a ‘cwtch.’ Her solo, “I Haven’t Got a Prayer,” a new addition to the show, was a moving moment for the audience.

The transition into the second act is marked by a lively procession of the cast through the aisles, generating cheers of excitement. While the individual character numbers showcase remarkable talent, they can create prolonged segments that may feel unimportant to the plot. Nevertheless, highlights such as “Lady in the Long Dress,” performed by TJ, Pablo, and Joey, portrayed by Bradley Judge, Damian Buhagiar, and Tom Hopcroft respectively, stand out for their engaging performances and distinct stereotypical characterisations.

My opinion toward Monsignor O’Hara, portrayed by Carl Mullaney, remains undecided. Unlike the playful dynamic between Bishop O’Hara and Mother Superior in the film, Monsignor O’Hara’s presence feels somewhat forced and detached, with questionable moments like lusting after the YMCA dancers.

Lesley Joseph shines in her role, proving the adage that there are no small parts. Her immaculate performance, with added humorous moments such as “jazzy bass,” adds depth to the production.

Noteworthy moments of physical comedy and action, expertly choreographed by Alistair David and Kev McCurdy’s fight director, further enhance the show’s appeal. From Deloris’s daring escape in a rickshaw while being chased by gunmen, to a hilariously reminiscent “Scooby-Doo” chase featuring the nuns and gunmen, these sequences showcase the creative ingenuity of the production team. For the musically inclined, the inclusion of a joke from “Priscilla” about wood adds an extra layer of enjoyment. Overall, “Sister Act” delights audiences with its harmonious singing, discord of comedy singing, and comedy.

This show was reviewed on the 21st March 2024 at the Dominion Theatre, London where it runs until the 31st August 2024.  Tickets available here: Sister Act The Musical | London West End

***** stars

Valentine Gale-Sides

Review – Sister Act – Dominion Theatre, London – Box Office Radio