I Should be so Lucky – The Musical

“If you’re in the mood for a wild, campy glitter-fuelled party, look no further.”

Tom Rogers, the set, and costume designer of this production, spared no effort in infusing hearts into every conceivable element of the show. From heart-shaped windows and sandbags to houses, mirror frames, and tabs—everything was crafted in a heart shape, predominantly pink, with a generous sprinkle of glitter. The heart motif, apart from one broken heart, not too many broken hearts created an atmosphere of love and festivity.

True to its title, the show doesn’t pretend to be anything other than what it is—a delightful throwback to the infectious energy of the past, with logo reminiscent of the popular NOW CDs like a step back in time. The playlist, featuring numerous classics from the Stock Aitken Waterman collection, may be a nostalgic trip for some but might introduce younger audience members to the cheesy charm of vintage music. If you’re expecting a sophisticated night out, this may not be your cup of tea, but if you’re up for a wild, campy, glittery party, then this is the perfect ticket.

Before delving into the cast, it’s worth noting the commendable casting choices made by Casting Director Anne Vosser. The diverse representation on stage, including races, ages, and sizes, instantly creates a relatable and authentic family dynamic. While traditional musical theatre body types are still present, performers like Giovanni Spanò add a familiar touch to the mix.

Among the standout performances, Jessica Daley’s portrayal of Britney stood out, bringing depth to a character with an fleeting gambling plotline. Matthew Croke’s Nadeem delivered a heartfelt performance with well-timed comedic moments, and Jamie Chapman as Spencer played a caricatured role with refreshing honesty. The cast’s chemistry creates a sense of unity, and the inclusion of Sydney Isitt-Ager, daughter of writer and director Debbie Isitt, adds a familial touch.

A notable highlight was the performance of “Toy Boy” by Scott Paige and Ralph Bogard, providing a comedic break and generating many laughs. The show occasionally takes on a pantomime-like quality with region-specific jokes likely to change during the tour. The curtain call, featuring the cast changing into finale wedding outfits, adds a charming touch reminiscent of pantomime traditions.

Contrary to expectations, Kylie Minogue’s appearance goes beyond a mere welcome; her pre-recorded presence weaves seamlessly throughout the show. The audience’s overwhelmingly positive reactions, expressing a desire for the production to become a movie and replace long-running shows, attest to the undeniable success of this five-star romp.

*****

Reviewed 29/01/2024 at the New Wimbledon Theatre
Photos by Marc Brenner